ANA MARISCAL FILMOTECH MOVIE
ANA MARISCAL FILMOTECH TV

Cest une pionnière dans le domaine de la production et de la réalisation en Espagne. And two films by attempting to create a new singer star : Pedrito Rico in Feria de Sevilla 1962 and Vestida de Novia 1967, but both of them failed at Spanish box office. Ana Mariscal, née Ana Maria Rodriguez-Arroyo le 31 juillet 1923 à Madrid, morte le 28 mars 1995 est une actrice, scénariste et productrice espagnole. Their boxoffice failures led her to direct commercial movies with no much interest, such as : La Quiniela, Hola Muchacho, Occidente y Sabotage, Duendes de Andalucía ,El Paseillo.

ANA MARISCAL FILMOTECH MOVIE

His first movie as a director was Segundo Lopez in 1952, going on Con La Vida Hicieron Fuego 1957, the latter a melodrama about Spanish Civil War. Ana Mariscal played several films as main star or secondary acting, such as : El Ultimo Husar, La Florista de la Ensenada, Raza, Dulcinea, Princesa Ursinos, La Vida Encadenada, Pacto de Silencion, El Gran Galeoto, Jeromin, Morena Clara, La Violetera, La Reina del Chantecler and several others. She was a prestigious actress who turned filmmaking and production for her company Bosco Films. The picture was professionally produced and written and directed by Ana Mariscal. And other support cast in minor roles as Jose Orjas, Jose Sepulveda, Angel Ter, Miguel del Castillo, Francisco Bernal and director Ana Mariscal. Here stands out a great support cast with the best Spanish comedians as Miguel Ligero, but is Rafael L Somoza who steals the show as deceived father who thinks his son follows Torero career when he is usually singing. Y Sevilla, La de la calle Pureza, Con Dos Cuchillos Cruzados, A la Chita Callando, Saeta, No estés Encelado, Pa dibujar una Rosa, Con el Tilin Tilin and especially Poron-pon-pon that popularized Manolo Escobar. There are various songs sung by Aurora Bautista and Pedrito Rico himself as. An agreeable musical with plenty of Flamenco songs and dances, stars a forgotten singer : Pedrito Rico who sadly passed away early at 55. Things go wrong when his father shows up at the known Sevillan fair. There he meets a sympathetic swindler : Miguel Ligero, a famous singer : Conchita Bautista and ultimately a wealthy singer producer : Ana Mariscal herself. As he goes to the Fair of Sevilla to seek fame and fortune and becoming himself a popular singer. Miguel Delibes' gripping novel, El Camino, tells the story of the protagonist's last days of happy childhood as he prepares to leave his village to study in the city.It deals with a young : Pedrito Rico whom his father : Rafael López Somoza wants to follow a career as a bullfighter, however, this rebel son wishes to be a famous singer. I have vivid memories of the filming locations in Candelada en Ávila when I was only three years old. I used to go to film locations a lot, it was a fascinating world for a child, even though the days could stretch out endlessly My childhood and adolescence were as difficult as they were exciting, as you might expect with a child of actors. Not really, but it's true that while my friends' mothers were making snacks at home, mine was travelling a lot, keeping odd hours and sometimes appearing on TV…. When you were a child, did you realise how exceptional your mother's life and personality was?

Everything was shot in a natural setting: the streets and houses of Madrid, atmospheric lighting and nothing else… In my opinion, it's a great film, but it's one of those independent projects that didn't find a distributor because it wasn't considered commercial enough, with an inappropriate theme. So my father was mainly in charge of the financial aspect, and my mother handled the relations with the administration and the media, the casting, the script, the music, the shooting locations…Įl Camino is a realistic film by choice but also for financial reasons. You have to remember the legal limitations that existed in Spain at the time, a woman could not sign contracts and carry out transactions so easily. My mother and my father Valentín Javier were partners, they decided together on projects and investments. The projects were financed by family and friends. However, when she was filming, she brought a very feminine vision to her work. She always told me that this had been a natural decision for her, without her being female influencing the decision. The filmography list includes the title, the title's year of release, and the character played by Ana Mariscal, where applicable.

ANA MARISCAL FILMOTECH TV

Once the project was underway, my mother considered getting behind the camera. The list includes TV series, TV movies, short films and movie appearances. It was a project that today would be classified as 'independent film', far from the grandiloquent cinema that was then the norm in the Spanish film industry. My mother already had a long career as an actress behind her when she decided, together with my father who was her boyfriend at the time, to produce her own project. Your mother was a producer under Franco, at a particularly conservative time in Spain: how did she manage to make it as a woman?

Ana mariscal filmotech